Shedding Light on Your Audience
“Hook” Critique Series: Article 1, Part 2
Today we’re following up with the second part of our article. Rebecca Talley generously allowed us to post a critique of an early first page draft from her novel Aura. (You can see that here.) Following is her final draft of that first page, followed by her comments on what she’s learned in the hook-writing process:
The brisk late-night air wound itself around Matt’s neck while the house keys shook in his hand. He glanced over his left shoulder. Over his right. His heart thundered against his ribs. He scanned the neighborhood. Nothing out of the ordinary—but nothing was as it seemed. Never would be again. He wiped perspiration from his forehead and drew in a breath.
In one swift movement, he opened the creaky front door to the rental house, stepped inside, and closed the door. He locked the door and rested his head against it for a moment before turning around. With three strides he was standing next to the couch, where his wife lay sleeping, bathed in the glow of the television. He knelt next to the couch and attempted to calm his breathing while he watched the rhythmic rise and fall of her chest. So peaceful. Relaxed. Unaware.
He tugged on her arm, trying to rouse her. “Pam, honey, wake up.”
Her eyelids fluttered open. He took several breaths, hoping to settle his raging heartbeat.
“Matt? What’s wrong?” She lifted herself on one elbow and pushed a few strands of her long, blonde hair from her face. “You look terrified.”
He didn’t want to panic her or scare her. But he had no choice. “We need to leave.”
She cleared her throat. “What are you talking about?”
“We can’t stay here anymore.” It sounded crazy and unreasonable—even to him.
Pam raised her eyebrows. “Why? You aren’t making any sense.”
I decided to start the story earlier so it would all come together at the end and make more sense. I tried to start with some excitement and intrigue and a sense of fear and immediacy. I’ve learned that I tend to add too many details in the beginning, so I need to dive into the story instead of building up that first scene with background. I need to cut out the boring stuff and get into the meat of the story on that first page.
To finish reading Aura, and to find anything else our spotlight author has written, see below:
Fiction Inspired by Life
Time to hear from you. Is there something you’ve learned about hooks that has been game-changing for you—a way to snag a reader that has changed everything for your writing? Comment below!